MOMENT
The Present employs a window frame and digital screen as its vessels: the window serves as both boundary and passageway for consciousness. Five segments of imagery—a lightbox in nightfall, sky and trees, a windowsill and onions, the exterior wall of a residential building, leaves and watermarks on glass after a downpour—alternate in presentation through the migration and reverberation of 5.1 surround sound. Sound and image are deliberately misaligned, gently dislocating viewers from familiar life fragments and placing them simultaneously in different spaces. For me, daily life is not mere background but an engine generating meaning.I juxtapose and magnify moments polished by time, making them illuminate each other: the lingering glow of advertising slogans, the crevices of wind, the residual warmth of rain, and the hum of machinery weave a dense web of the present. The work offers no answers, inviting only a contemplative gaze—like a deep breath. In the back-and-forth between inside and outside the window, we hear how“this moment” is born, fades away, and returns to the palm of our hand.

《moment》以一扇窗框与数字屏幕为器:窗既是边界,也是意识穿行的孔隙。五段影像——夜色中的灯箱、天空与树、窗台与洋葱、居民楼的外墙、暴雨后叶与玻璃的水迹——在5.1环绕声的迁移与回响中交替呈现。声像被有意错位,熟悉的生活碎片因此把观者轻微“解离”,令同一时间栖居于不同空间。对我而言,日常并非背景 ,而是生成意义的发动机;我把被时间擦亮的瞬间并置、放大,使它们彼此照见:
广告语的余光、风的缝隙、雨的余温与机器的嗡鸣,共同织成一张细密的当下之网 。作品不提供答案,只允许观看像一次深呼吸——在窗内外的往复之间,我们听见 “此刻”如何生成、逝去,又回到掌心。


Performance photos